Cinderella, Cinderella...

Turning a cool photo into a painting...

Last year, Woodbine Entertainment initiated a contest to select "The Official Queen's Plate Artist." I did enter, what I thought was a beautiful painting of 2014 winner Lexie Lou, and was disappointed when it didn't make the top five – after all, painting Canadian racehorses is what I do!  Anyway, such is the life of the artist – we have to know how to handle rejection, because we don't always fit with that the powers that be are looking for. I decided to enter again this year, and went with something much more generic – a horse in the walking ring, rider up, groom leading her. I had taken the reference photo last summer at the races, and as soon as I saw it, I knew I needed to paint it.  When they announced the 2016 contest – late enough that I'd been convinced they weren't going to run it – I didn't have a lot of time to contemplate what I was going to paint, and picked up the reference photo, already printed. I managed to get the painting done and entry made a week before the deadline, as I was travelling to San Francisco!

One of the photos I shot that day.

The notification date for the five finalists came and went, and I figured once again my work had been bypassed – though last year they'd sent out an email passing along that information. I went to check out the Plate website, and there was the announcement. Clicked through to see the top five...and there was my painting!  That was a pleasant surprise! Now, the painful part begins - the winner is determined by a voting process, and shameless self-promotion is NOT my strong suit. Popularity contests are not things I win. I'd rather see work chosen on merit than on who has the most friends. That said, I've been humbled by the show of loyal friends who have shown their support in my Facebook posts!

Janet and "Cinderella" – that's what the halter plate says!

Now...the title of this post doesn't mean what you think it might.  The grey filly in the painting, named Letter Fly, was bred by a friend of mine. Due to unfortunate circumstances, my friend had to sell her at the yearling sales. She ended up making her first start as a three-year old in Iowa, of all places. After showing little in those early races, my friend was able to buy her back and return her to Ontario, and she was christened "Cinderella" by the trainer's granddaughter. Here, she's gone from a cheap maiden claimer in Iowa to an allowance winner. She is sound and still racing as a five-year old, but when she no longer wants to be a racehorse, she'll be safe.

So, I hate asking for votes for myself, I really do. Cinderella, on the other hand, is very deserving of them! To vote, visit Woodbine's Queen's Plate website, and scroll down to follow the link that will take you to the  voting site.  There has been a bit of confusion in the voting process – you will need to rate the options given from first to fifth. I hope you enjoy all the artwork that has made the finals!

Warm Ups As Avoidance Behaviour

Study on Raymar archival canvas panel, first attempt, revisited.

I admit it, I started a study the other day, and I have been using it entirely as an avoidance tactic.  Big, detailed paintings are intimidating.  Little studies are easier to tackle.  If they get messed up, it seems to be easier to take.  I started this most recent study on Thursday and sure enough, I messed that up! I did something I very rarely do - I started over, on a completely different surface, abandoning the quick sketch of paint on canvas, for a new quick sketch of paint on linen.  Smaller dimensions, which, apparently, I could handle better than the first, slightly larger attempt.

Today I worked on the smaller study, and got it to the point where I'm pretty sure it's done.  Then I looked at the discarded start.  Another thing I very rarely do, is work from the same photo more than once, but as I'd let the sketch in paint dry, and ghosting isn't something I wanted to contend with, I thought I'd see what I could do with it as is.  I already had the palette set, a very limited one of four colours (and a combination of colours I hadn't used before).  So I played.  And avoided the big painting.  And now I'm writing this blog post, to further avoid the big painting.  It has, at least, made it back on my easel.  Time to pony up and get to it, I guess!  :-D

Study on unstretched linen, second attempt, ready to abandon.

Sometimes, You Just Have To Give Yourself a Kick In The...

"New Digs With Toys," 5 x 7 oil study.

Facebook.  We love it. Hate it. Love to hate it.  Every so often these "challenges" come along – we've been having some fun with a music challenge, posting different favourite songs, and recently the art challenge has resurfaced.  I did it a couple of weeks ago – but it's inevitable that one will get tagged again to do it.  When that happened, I decided to make my own challenge, to do a painting a day for five days.  Having done several thirty day challenges (see my Thirty Horses, Thirty Days blog for many of them!) I figured I could pull off five, and maybe get myself jump-started back into a better studio routine.

It's amazing how much better I feel about day two's painting than day one.  I'm hoping by Friday I'll be unstoppable!  Haha....please don't let my horses hear that, they may take on a challenge of their own to stop me!  ;-) 

"Leo ('Hey, Good-Looking!')" 6 x 6 oil study on Raymar canvas panel.

Go Lexie Lou!

Lexie Lou ~ oil on linen.

I've been working on a few smaller studies these days, on various surfaces, just to keep things going in the studio while other things still keep me from spending a more solid chunk of time painting.  I have ideas and blog posts running through my head all the time...they'll eventually get out.

I'm not sure I ever posted this completed painting, for whatever reason.  This is a painting I did of 2014 Queen's Plate winner, the filly Lexie Lou.  Lexie missed most of last season because of an eye injury, and returned to the races last month.  Today she is back in action...in tough, running against her stablemate, Breeders' Cup Mile winner, Tepin. I'll be cheering for the underdog, Ontario-bred! Just a little bit of trivia - Lexie Lou is a half-sister to the mother of our homebred, Rachel (Relocate the Bank).

Cold and sunny day here in Southern Ontario - sounds like a day to spend in the studio, after doing the stalls, of course!

Rachel...cheering for her Aunt Lexie today?

Them's The Breaks

Left-handed drawing of Briggi as a baby...she may look sweet!

I have often joked that when it comes to horses, I am more of a danger to myself on the ground than on board. It's not that I'm a terribly good rider, I just seem to have a certain degree of self-preservation that comes with riders as we get older, the cliché being, we don't bounce like we used to. It's not as if I avoid potential trouble – let's face it, I like to ride green OTTBs, not necessarily the most bomb-proof choice of mount in the world. The thing is, the ones I'm handling around the farm are younger and usually sillier than my riding horses, and coming off stall rest. Most of the time they are more of a danger to themselves than to me. But...as with anything, it just takes once to change that!

Selfie with glasses and cast?

It's been a month now, since Briggi Wild Child slammed me into the doorframe of her stall as she bolted in, catching my arm and fracturing (and dislocating) it in the process. That would be my right arm, of course. Can't write, can't draw or paint, can't do stalls – all  the things I do to make money. Can't ride. So, I'm paying someone to do my stalls, and paying someone to ride the princess. Now that part, at least, is not a bad thing – as much as I miss riding my mare, we will both benefit from the training she is getting right now. Financially, well, it hurts more than the arm! Naturally my truck needed $300 worth of maintenance, and my teeth more...please insert whiny face here.

 I'm still able to do quite a bit in the barn, and my poor parents have stepped up to help out (I'm trying to tell them it's like a free gym membership). Just for fun, I've been playing with drawing and painting with my left hand, and that's actually gone better than expected.  I'm even going to put some of the decent ones on my website to see if I might be able to sell some, and help pay for the growing pile of unexpected expenses. They'll be in the $25 range...just might be a few weeks before I can mail them out!

Left-handed Leo. Leo is bored, bored, bored, not being ridden!

So, here's your chance to own what I'm sure will be a valuable collector's item in the future, haha. If you'd like to commission the most affordable portrait you will ever have the opportunity to have me paint, drop me a line at lindashantz *at* gmail.com, or send me a message on my Facebook page!

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What's The Formula?

The thing about my daily painting stint is, there are a lot of variables. I had a fellow artist ask me the other day which surface I preferred to paint on. On that particular day I said masonite (a.k.a. panel or board). Then today I was painting on Raymar canvas panel - which a week ago had lost favour with me - and at the moment it's my absolute favourite ground, because today's painting just fell off the brushes. I'm fickle, am I not? But do you think tomorrow I'll be able to recreate today's success? Doubtful!

I realize such things are probably in the artist's mind - I stated in response to a comment on the Thirty Horses blog that we artists are our own worst enemies, something that is not a newsflash! Some of us probably learn to deal with criticism because we know we're harder on ourselves than anyone. And I'm not sure it's wrong to be that way, as an artist. If we were always satisfied with our work, we wouldn't bother to try to improve, would we? With every painting we hope we get closer to where we want to be as an artist, and maybe every tenth painting, I know I might feel as if I've actually achieved a tiny step in the right direction. Tonight is one of those times. I'll enjoy that feeling while it lasts, because inevitably it doesn't last long!

You can see how the above painting turned out on the Thirty Horses, Thirty Days blog.

And This, My Friends, is What We Call 'The Uglies'

If you listen to artists long enough, you're going to hear that term - "The Uglies." It's a stage most paintings go through - a necessary one, most of the time - and one we would just as soon no one saw. I really hadn't intended on showing the latest progress on this one, but hey, sometimes it's good to see more than just the finished work. If it turns out the way I want, you'll see it again. If not, then just don't ask!


In order to balance that piece of panel above masquerading as a painting, I'll post a couple more recent photos. I'd really like to show the whole series, or put together the gif, of what led to this one of Rupert and Leo. Leo was trying to entice Rupert to play, and Rupert kept raising his head just out of reach. He seemed to be making a point about Leo's size. Forgive me for saying that it seemed to go over Leo's head!

And now, Leo at a more serious moment. He doesn't have too many of those! He's such a handsome boy.

The next few days will be busy with horses leaving - mares going to Kentucky, layups heading back to work. After that, it will be time to dive into painting again. I have a show deadline for the end of the month - one for which I'd like to have some new pieces. Time to get cracking!

An Invitation to Dubai!

Just after this past Christmas, I was contacted by a company in Dubai about an art auction and exhibition to take place in conjunction with the 2007 Dubai World Cup. Of the artists contacted, 11 were chosen and commissioned to paint one of the past winners of this prestigious race. My assignment was 1998 winner Silver Charm, one of my favourite racehorses in his day.

The timeline was short -- they wanted the paintings by the end of January! Anyone who knows anything about oil painting knows that in itself is a huge challenge. The other challenge was the size. The paintings needed to be large, and the 30 x 40" canvas I opted for was toward the small end of their suggested sizes. I set to work, and managed to get the painting done. A deadline is a great motivator!

I won't bore you with the ordeal of shipping -- another challenge with the short timeline. The important thing is the Silver Charm painting (and two others they requested for the exhibition) made it safely over to Dubai. The paintings of the World Cup winners were photographed for a limited edition book that would commemorate these past winners.

A couple of weeks ago the Art Connection emailed the North American artists with the news that the Dubai Racing Club was going to be issuing invitations to us to attend the art exhibition and the World Cup! Needless to say, we were all stunned by their generous offer. The best news is we were all able to accept. All of us are also members of the Equine Art Guild so it is quite exciting to have an EAG contingent travelling to Dubai for an art show!

Be sure to check out these other North American artists! Tom Pauly painted Cigar(1996), Rebekah Creech painted Captain Steve(2001), and Ginger Lowry, Almutawakel (1999). The remaining artists are from overseas, and it looks as if we are a truly International group.

Above you'll see the painting -- Silver Charm and Swain battling it out. Naturally we're all hoping for a successful event, but regardless, we're all honoured to be given this wonderful opportunity.

On another note, the latest Equine Art Guild online show, The Artist's Muse, is now live! Don't miss this incredible collection of artwork, and read the stories about the horses that have inspired us. Monster and her mom are there, and in good company!!