We Came. We Saw. We Ate Ice Cream.

Another Saratoga visit is history! For the first time I can remember since my initial trip to the 'Spa' in 2003, we had perfect weather. For me, rain and humidity in Saratoga is just a given, but this time around, after being overcast and muggy on Wednesday afternoon when I arrived (complete with a few token drops of rain, just to say it did) the weather was unbelievably beautiful.


One of the highlights of this trip was being joined by fellow equine artist and racing fan Sharon Passmore. Sharon and I were both Equine Art Guild members, and often correspond back and forth about racing, comparing our experiences and stories of the business. She was able to share connections that got us signed into the backstretch in the morning for amazing photo ops, as well as box seats for the races on Thursday afternoon. Add to that our paddock passes courtesy of the Beresford Gallery, which represents my work at their gallery across from the racetrack, and we were set! Juliet Harrison joined us Thursday, and after sending Sharon on her way home to Tennessee early Friday, Juliet and I took advantage of that backstretch contact for more photos. We also visited the yearling sales barns, and saw the recently renovated pavilion.


The joy of being able to rent a house for our short stay inevitably means ice cream. I can't help but take advantage of the US's greater selection of flavours (not to mention better prices!) of my favourites, Haagen Dazs and Ben & Jerry's, and fortunately my friends indulged with me! It is, however, tradition for Juliet and me to buy an overpriced serving at the racetrack at least once, which we did on our way out Friday afternoon. And of course no trip to Saratoga is complete without at least one stop at Mrs. London's for amazing pastries. We did a lot of walking, but I'm not sure it was enough to balance out the intake of calories!


I'm home again, and did make it back to the easel today. Each year I order some art supplies and have them sent to Juliet so that I can save some of the shipping costs. I'm anxious to try out some of the paints I ordered - decided to try some Vasari oils and see how they compare to my faithful Old Hollands. So far I've only tried one tube - the colour is brilliant, but they're a lot oilier than the rich OHs. We'll see how it goes.

One more thing that made the transition back to reality a bit easier - Ben & Jerry's on sale at Fortinos! Now if we could just get some of those flavours....

Going Green - 8 weeks old

I did this week's filly painting a day early, because tomorrow I'm off to Saratoga for a few days. I feel better about this one that last week's, and I already have some great pics for next week, thanks to they baby girl showing off for the camera yesterday!

This is 6 x 8 oil on Raphael linen panel. I went back to my old limited palette - still love how those colours come together. If this would dry in time I'd take it with me, but that's not going to happen. As it is, there will be a few of my smaller paintings at the Beresford Gallery, across from the track on Union Avenue. Make sure you pop in if you're there! They have a beautiful collection of paintings for sale from a variety of International artists.

Back to work - lots to do before I go to bed tonight - I'll be leaving at 5AM so I get there in time for the races!

Making Plans

It's getting to be that time of year - when I start trying to plan the annual trek to Saratoga. Getting away from the farm for a few hours, let alone a few days, is always a challenge. It's kind of a dream to one day spend some time painting on the porch of the Beresford Gallery during the Saratoga meet - will this be the year I pull it off? I'm not holding my breath. It's more likely this will be another whirlwind. Theoretically, I could go down in the morning, go to the races, and come back at the end of the day - it's only a six hour drive...

I started a new painting this week, which is helping fuel the plans. This one is much larger than what I've been sharing of late - 24 x 30 - and my reference photo is one I took at the Spa a few years ago. I had to wait until I'd made a little progress on at least one of the horses to share it - this is very early days, very loose, throwing paint around just to get the canvas covered. As you can see, I have yet to accomplish that!

I've come to enjoy this messy way of doing things - starting with broad areas of tone and refining from there. This is just the underpainting, of course. It's quite fun to do a racing scene this way, concentrating on tone for the first few layers, then starting to gradually add all the colour that makes Thoroughbred racing such a beautiful sport.